One of the series of photographs that best display his incredible ability to be at the right place at the right time are those from the set of The Godfather in New York City. The candid images of Al Pacino, Marlon Brando and Coppola on the set of the iconic film, The Godfather, offer a unique glimpse into the production process and the interactions between the cast and the crew. His lens presents the intensity and drama of perhaps one of the most significant movies in cinematic history.
“Sculpture is the art of the intelligence.” ― Pablo Picasso
One of the photographs from Stettner’s early work that present Stettner’s highly aesthetic and observational eye is ‘Fifties Graffiti’, dated 1954-56. The image shows two elegant dalmatians on the backseat of a convertible.
Bernie Taupin is a life-long artist. In the early 1990’s painting became the main thrust of his creative endeavors. In his early work Taupin was inspired by ground-breaking abstract expressionists including Franz Kline, Mark Rothko and Hans Hoffmann, and Anselm Kiefer in scale and materials.
One of the many figures Yousuf Karsh photographed was the celebrated architect Frank Lloyd Wright. The portrait, taken in 1954, presents Wright in a seated position with hands clasped, looking what seems to be at Karsh rather than directly at the camera.
To celebrate Barry Salzman’s inaugural exhibition in the United States, “Barry Salzman — How We…