In the series 'Photograms' (2001) and 'Photographic
Tapestries' (2001) Lissie Habié experiments with a combination
of early photographic techniques. With them she produces semi-abstract
one-off works, freeing her photographs from aspects that are often
connected with the medium such as reproducibility, rendering of
reality and the freezing of time.
Habié wishes to integrate art and science
with her accumulation of essentially manual techniques. Concepts
such as chaos, complexity and movement, and their opposites order,
simplicity and stability, are central to her work.
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